Janet sandø's Friends

  • Jenifer J Renzel
  • Lynda Fishbourne
  • bente kystad syr
  • Laila Constanse Støeng
  • Margo Garrison
  • Jules Pilgrim
  • Rob Lineberger
  • K. Wayne
  • Shilpa Menghani Ruchandani
  • Bente Røyseth Hestholm
  • Lisa Rose

janet sandø's Groups

 

www.janetsando.com

janet sandø's Photos

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Latest Activity

janet sandø joined Greef's group
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Assemblage Art

This group is for those interested in Assemblage art!See More
Aug 17, 2011
Laila Constanse Støeng commented on janet sandø's photo
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Born in the USA

"Flott arbeid...Elsker Trollet..har du luktet på det...lukter min barndom av de trollene..Nå har jeg ett barnebarn på snart 5 år. Hun leker med de nå. Hun elsker å lukte på de også :)"
Aug 17, 2011
janet sandø commented on Jules Pilgrim's photo
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Bona Dea shrine

"Hey, you do good work yourself! This one was really fasinating!"
Aug 17, 2011
janet sandø commented on janet sandø's photo
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Born in the USA

"The viking ships holding the doors closed are symbolising my departure from the USA at the age of 10. We took a ship and moved to Norway. I think My troll doll is from the 60's:) I left NY & USA in 66. But thanks again Jules!!"
Aug 17, 2011
Jules Pilgrim commented on janet sandø's photo
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Born in the USA

"Thanks Janet, I really love it. I particularly like the way the apertures in your work aren't just rectangles and the surfaces you make are all so interesting. Are the viking ship buttons related to your surname? Sorry to be so nosy…"
Aug 17, 2011
Jules Pilgrim favorited janet sandø's photo
Aug 17, 2011
janet sandø commented on janet sandø's photo
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Born in the USA

"Hi Jules, Yes it is lit from inside with small LED lamps. The surface I built up with acrylic modeling paste using different tools to make the texture. Later I have painted it with different colors and made some bug prints as well.  Same age?…"
Aug 17, 2011
janet sandø commented on janet sandø's photo
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Tempel I

"Thanks all!! These are my first shrines. I work mainly with acrylic and mixed media on canvas, but this was an exciting journey making these shrines and I´ll make more definitly. Background for these shrines were a need to clean and tidy up…"
Aug 7, 2011
Jules Pilgrim commented on janet sandø's photo
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Born in the USA

"ooh, you must be about my age! Love the surface effects - is it lit from inside?"
Aug 7, 2011
Jules Pilgrim commented on janet sandø's photo
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Time flies

"I like the mystery in this one - the 'not quite seen' parts..."
Aug 7, 2011
Jules Pilgrim commented on janet sandø's photo
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Didn´t find the key in time

"This one makes me smile - we've all been there!"
Aug 7, 2011
Jules Pilgrim favorited janet sandø's photo
Aug 7, 2011
Jules Pilgrim commented on janet sandø's photo
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Tempel I

"Janet, I just found your stuff when I was strolling through the photo's on a wet afternoon - I really love your work. I can see you in it quite clearly which takes it that extra level. I feel a real affinity with it - like it's the kind of…"
Aug 7, 2011
anna commented on janet sandø's photo
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Tempel I

"love this"
Jul 18, 2011
anna commented on janet sandø's photo
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Time flies

"wonderful"
Jul 18, 2011
Grant Dowling favorited janet sandø's photo
Jul 17, 2011

Profile Information

What is your website address ?
http://www.janetsando.com
Which of the following best describe you?
Painter
How did you hear about Loving Mixed Media?
friends
Describe your style of art and materials you like to use?
acrylic and mixed. I am also a member of NFUK - www.nfuk.no

Thoughts about my painting

People travel a lot. I travel a lot. I get many impressions and experiences from my travels. My camera takes infinitely many images of the external landscape, but it's like the experience is requesting a deeper indigestion later on. All landscapes are different. All places has its own mood and character. How can I describe these different moods in the painting? This is my approach to my work with painting.
I try to balance between the act of the unconscious play with the medias and the conscious action.
The act begins with a meditative approach to the landscape moods I want to work withConscious choices are made with respect to the color palette that will form the basis for the painting's mood. When this is ready I start the first phase of the painting.

This first phase contains color joy and chaos.
How long can I hold back the need to see something figuratively on the canvas? How far can I push the playing with the colors before I go in and take a conscious control over what has occurred on the canvas? How long can I tolerate the chaos?

At some point, the beginning of the seriousness starts and the playing is over. From that moment thoughtful and conscious choices based on the painting is the focus.

The colors have great significance for me when I try to create an ambience of a placeI'm not looking to recreate photographic pics of the areas I have wandered in.
I seek a mood or a reverberation of the landscape.

My goal is to create:
A room, which the viewer can enter in.
A place where inner emotions can be awakened to life.
A landscape that is both there and not.

Abstract paintings inspired by specific locations.

janet sandø's Videos

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Comment Wall

Thanks for joining LMM. I am sure you will find something here to help you on your creative journey. To get you started please have a look at the site's guidelines (this will give you information about how I run things around here). You will also find lots of other useful information as well. If you have any questions, please don't hesitate to use the FEEDBACK button located on the left hand side of the page and I will respond as quickly as I can.
Take your passion and make it happen!
Gary Reef (Network Creator)

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HERE ARE 2 LINKS to TWO of my youtube videos talking and demonstrating about this amazing product:

http://www.youtube.com/watch?v=HIc02QBihJQ&feature=share&list=UUM6N5AOYoyg6eAkbcDWpNFg

http://www.youtube.com/watch?v=6zAPZn5TEyM&list=UUM6N5AOYoyg6eAkbcDWpNFg&index=41

So once i have my image printed onto transparency film, I take my Ezscreen silk screen which has been coated in light sensitive emulsion (These sheets come pre-coated so they are ready to use). Place it onto a black board, then place the transparency image on top (this part needs to be done in a dark room with no direct sunlight). I take it outside and expose it for 1 minute and 40 seconds (but time varies depending on time of day and strength of sunlight). After i have exposed the image i place it into a tub of water for around 5 - 8 minutes. Then i rinse the screen out under fast running water until the unexposed area (the black) washes away. I then expose the screen to the sun for a further 20mins to completely harden the light sensitive emulsion. 

And this is the completed screen ready for printing.  I simply use an old credit card to spread the ink over the screen making sure i do one complete full stroke across the screen (holding the credit card at a 45 degree angle). I immediately wash the screen out under fast flowing water and pat dry. I use fabric screen printing ink which washes out in water (which makes the process easy).

I love this product, their website is http://ezscreenprint.com/ (for full instructions and details on how to purchase this awesome product).

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