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Online LMM MagazineI want to start a discussion about the possibility of starting our very own LMM art magazine! Full of inspiring artists, tips and techniqu… Started by GreefLatest Reply |
Using other people's graffitiI've just been down to marvellous Melbourne for a brief stint (didn't spot Gary unfortunately). Anyway, Melbourne has several back alleys t… Started by Jules PilgrimLatest Reply |
Ipad styli suggestionsMo Mapes and I have been discussion which ipad styli we like the best. I like Ayl and Acase, but i've been EYEYING the nomad brushes, epsec… Started by DianaLatest Reply |
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Phil Hansen: Embrace the shakeThe title says it all. I saw a documentary on this artist quite a while back but he puts his struggles in a shorter talk here. Limitations… Started by Mo Mapes |
0 | on Tuesday |
New photo-luminescent pigments...Hi Guys, Check out the new range of Eli-Glow Photo-Luminescent Pigments....a sure way to make your artwork alter its appearance in differe… Started by Eli-Chem Resins |
0 | May 11 |
Online LMM MagazineI want to start a discussion about the possibility of starting our very own LMM art magazine! Full of inspiring artists, tips and techniqu… Started by Greef |
58 | Apr 25 |
Kroma Crackle Basic TechniqueSome members were asking about this a while back. Here is a really well done video on the product. Started by Mo Mapes |
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Apr 24 Reply by Bronwyn Palmer |
To Etsy--or Not to Etsy...I've been thinking of trying to sell on Etsy. For those of you who've done it, is it easy? pain in the butt? more hassle than it's worth? W… Started by Steve Hosch |
14 |
Apr 19 Reply by Brian |
Hanger HelpOkay, LMMers, some advice... I've been doing some paintings on plain old pieces of 3/4" plywood and I'm wondering what's the best option fo… Started by Steve Hosch |
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Apr 14 Reply by Lea |
Barry McGee: Tagging | "Exclusive" | Art21 - Art installationThis is quite an installation! I'm sure it will open your eyes..... Started by Mo Mapes |
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Apr 6 Reply by Mo Mapes |
Altered Papers Pt 4- Collaging With Altered Papers- CitraSolvHere is part 4 of the CitraSolv series..... Started by Mo Mapes |
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Mar 19 Reply by Mo Mapes |
CitraSolv part 2
Started by Mo Mapes |
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Feb 27 Reply by Mo Mapes |
What do you do for a studio?I've just moved into an old railway cottage where space is very limitted. Before we moved I was determined to have my studio space out from… Started by Jules Pilgrim |
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Feb 23 Reply by Jules Pilgrim |
HERE ARE 2 LINKS to TWO of my youtube videos talking and demonstrating about this amazing product:
http://www.youtube.com/watch?v=HIc02QBihJQ&feature=share&list=UUM6N5AOYoyg6eAkbcDWpNFg
http://www.youtube.com/watch?v=6zAPZn5TEyM&list=UUM6N5AOYoyg6eAkbcDWpNFg&index=41
So once i have my image printed onto transparency film, I take my Ezscreen silk screen which has been coated in light sensitive emulsion (These sheets come pre-coated so they are ready to use). Place it onto a black board, then place the transparency image on top (this part needs to be done in a dark room with no direct sunlight). I take it outside and expose it for 1 minute and 40 seconds (but time varies depending on time of day and strength of sunlight). After i have exposed the image i place it into a tub of water for around 5 - 8 minutes. Then i rinse the screen out under fast running water until the unexposed area (the black) washes away. I then expose the screen to the sun for a further 20mins to completely harden the light sensitive emulsion.
And this is the completed screen ready for printing. I simply use an old credit card to spread the ink over the screen making sure i do one complete full stroke across the screen (holding the credit card at a 45 degree angle). I immediately wash the screen out under fast flowing water and pat dry. I use fabric screen printing ink which washes out in water (which makes the process easy).

I love this product, their website is http://ezscreenprint.com/ (for full instructions and details on how to purchase this awesome product).
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